My artistic journey revolves around the enduring legacy of midcentury modern architectural projects in the first half of the twentieth century. Funded by Venezuela’s sudden wealth during the peak of oil production, these architectural marvels exemplify the convergence of oil and design and commemorate a time of promise and progress. At their construction, the buildings projected an avant-garde façade that mirrored the transformative trajectory of the nation, which was once primarily agrarian, and reflected a response to a significant political shift. Despite destructive forces unleashed by the ongoing revolution, many of these structures still stand today, serving as resilient reminders of a bygone era.

Through my artwork, I remain deeply connected to the primordial roots of my motherland – mi querencia – while capturing the essence of its recent history. I seek to preserve the architectural legacy of Venezuela and evoke a sense of pride and nostalgia. My work is an homage to the resilience and hope of a nation that has experienced a wave of transformation and migration in the twenty-first century.

More recently, my engagement with Venezuela's architectural heritage has altered my perception of midcentury architecture in my second home, Texas. Drawing parallels between these two places shaped by colonization and transformative twentieth-century oil booms, I incorporate the architectural influences from Venezuela and Texas into my artistic practice. By combining these ideas into a visual language, I am able to create a cross-cultural dialogue that highlights shared experiences and architectural legacies.

I also aspire to visually preserve architectural heritage as a countermeasure against Venezuela and Texas's perpetual erosion of history. By capturing architectural monuments in my work, I aim to contribute to the fight against the constant threat of losing tangible connections to our collective past.

Ultimately, my art is a testament to the profound impact of oil, politics, and architecture on our urban environments. It is a celebration of the past, a reflection on the present, and a contemplation of the future. By blending the narratives of Venezuela and Texas, I seek to create a body of work that transcends borders and resonates with diverse audiences, inviting them to reflect on the universal themes of history, transformation, politics, and the enduring spirit of place.